It’s time for Song #4 in the Patterico Music Project.
On February 1, I told you:
I am working on a little personal project in which I try to convince some of my musical heroes to record some of my songs. I have found three victims so far, who have promised between them to record five songs in all.
The identity of these performers is a mystery/secret. For now.
The secret is gradually being revealed. So far, I have published three of these songs, all recorded by former Northern Pikes front man Jay Semko. All of these were acoustic versions recorded “live off the board” in a single take done in a recording studio. I posted the first one on February 2, titled “Creation” (song; lyrics; original version). I posted the second one on February 9, titled “Was It Really You?” (song; lyrics; original version). And I published the third one on February 23, titled “The Same Mistake” (song; lyrics; original version). If you never listened to those, I encourage you to check them out.
But today, I have something really special for you.
Today, I am publishing a version of my song “Alien Song,” recorded by my musical hero Parthenon Huxley. Parthenon, also known as “P. Hux,” has been making great music forever. His Web site is here and his bio is here. Check out some of his music here. His fans tend to be devoted collectors of all his albums, and I am no exception. The guy is a genius, and has a beautiful and unique voice. It’s a special thrill for me that he agreed to record one of my songs.
The song you’re about to hear is about reptilian, multi-headed aliens, conquering the world through their strange music. And, if I do say so myself, I think the effect of this particular recording is pretty amazing. This version is highly produced. Parthenon put a lot of effort into the arrangement and the recording, and it shows. It’s whimsical and has many touches that complement the subject matter of the song. I could go on and on about Parthenon’s performance, but I think I’ll just let you hear it for yourself. Since he emailed it to me last week, I have listened to it probably three dozen times. I don’t expect any of you to be that enamored with it . . . but it does repay repeated listenings.
You’re in for a treat. Click the play button, and enjoy.
P.S. Tomorrow I will publish the lyrics, and on Wednesday I will publish the original version I recorded in the early 1990s — which sounds throughout like a much poorer version of the first 45 seconds of this version (minus vocal effects or harmony).
P.P.S. It would be premature to reveal the identity of the third performer in this series, but when you hear who the artist is, I think you’ll be pleasantly surprised.