[Posted by Morgen]
[The following post is by Morgen, formerly of Verum Serum. Morgen is a uniquely talented researcher and writer who has broken several major stories. (When I say “major” I am not exaggerating. For example, Morgen is the guy who found the video of Sonia Sotomayor talking about how courts make policy — and the infamous “wise Latina” speech. Major, OK?)
The video embedded in this post is classic Morgen. It’s worth watching all the way to the end.
I am thrilled to have even one blog post from Morgen, and I hope he will consider submitting many more. Please give him a warm welcome. — Patterico]
So Van Jones was on ABC’s This Week today. I didn’t watch it but he was there to pitch his new book, Rebuild the Dream, so it’s a safe bet that he spoke about how corporations and the 1% have been benefiting at the expense of the middle class. Fair enough. He won’t get an argument from many Tea Partiers that the political influence exerted by big corporations has corrupted our society, and government. But what sort of alternative does Van Jones ‘dream’ about?
Van Jones does not deny his radical roots but the way he speaks about this would lead most people to believe that he is referring to his youth. That it’s ancient history. I don’t know about you, but the years immediately following 9/11 are not ancient history to me. Like a lot of Gen X’ers, 9/11 was a wake-up call for me to get serious about life, and the challenges facing our nation. Van Jones is only slightly older than I am, and I suspect this was no different for him.
So is Van Jones ever going to answer for the fact that in 2002 he conceived and created a music label, Freedom Fighter Music, which published at least two highly incendiary albums, advancing views far, far outside the mainstream? In 2009 I exposed Freedom Fighter’s WarTimes, leading CBS to speculate whether this was the final straw leading to Jones’ resignation from his role in the White House. But no comment from Jones. WarTimes is just god-awful, narrated by Mumia Abu-Jamal, with an interview appearance by Van Jones himself, and featuring lyrics calling for the defeat of the U.S. in Iraq, proclaiming Uncle Sam the ‘real terrorist’. And even worse, if you can believe. (You can view a YouTube video I created with excerpts from WarTimes here.)
But with so much media focus now on racial violence, and the liberal media – and the White House – seemingly doing nothing to try to calm things down, I think it’s a good time to expose another track produced by Van Jones and his organization. In another era, with a Republican in the White House, this is how Van Jones saw fit to contribute his time, money, and promotional clout to the cause of ‘racial justice’:
[UPDATE BY PATTERICO: So it's clear, the visuals starting at 3:10 are Morgen's editorial comments.]
Simply despicable…and it’s outrageous that the person behind this is parading around the country lecturing America about ‘fairness’, when in a rational world, one where the mainstream media still did real reporting, he would have absolutely zero credibility and moral authority.
Which brings me to my closing question: does the New York Times consider Van Jones a ‘lefty dream boat‘ in spite of…or because of…his past advocacy of violent, anti-American views?
Addendum [Morgen]: Thanks for the warm welcome, and for not knocking me around for asking you to sit through a 4+ minute video like this. To follow up on Patterico’s note above, I actually produced the entire video. Working with the original audio of course. I’m sort of hoping one of Jones’ defenders tries to deny he had anything to do with this. April’s Fools joke? Yeah, they wish. So let me save Media Matters a little time. The name of the album this track appears on is Shame the Devil: Hip-Hop Tells The Truth About The Prison Industrial Complex. You can see a reference to it on the old Freedom Fighter web site here. The actual audio came from here – the track is called ‘John Law’. Who knows, there is probably worse than this on the album, have yourself a listening party if you want. But I keyed in on this track because the members of the band who wrote and performed this (the Red Guard) were former employees of Van Jones and remain closely connected to him (or at least organizations he founded). I see no point in dragging them into this, but there is really no way Van Jones can deny culpability for putting out this garbage. And the media can easily confirm all of this…if they had any desire to. But I guess it’s no fun to embarrass one of your heroes.
UPDATE BY PATTERICO: Thanks to Ace for the link.